The Independent Film School

THE INDEPENDENT FILM SCHOOL

• FELLOWSHIP PROGRAM •

Imagine the table read • the premiere • the rest of your life

Coaching program for writers, actors, and filmmakers

The year-long Fellowship includes:


weekly ROUNDTABLES

Weekly Live Roundtables (on zoom) are a safe space to share work with a coach and colleagues for the encouragement, accountability, and expert feedback. Become prolific and discover your best work.


unlimited private coaching

Meet your coach privately for added accountability, strategy, and feedback. Office hours help build skills, confidence, and your body of work.


3-day filmmaking lab

The 3-Day Lab meets in person, in NYC, and is led by Ela Thier. You’ll leave with an exercise shoot that you love, and the skills to create many more.


private slack channel

The Private Fellowship Slack Channel is an online forum where you can communicate daily, or as often as you wish, with your coaches and colleagues.

PLUS:

the IFS all access pass is included:

“You have forever changed my life. That’s not an exaggeration.”

— Amy Tompkins, alumna

How to apply

THE IFS FELLOWSHIP IS OPEN BY INVITATION ONLY

TO APPLY: scroll down to schedule a (free) consultation with Ela Thier.

A $500 refundable deposit is required. If you’re invited to join and choose to, this deposit will be credited towards your fee. If you don’t join, it will be refunded.

This consultation doesn’t guarantee admission, and doesn’t obligate you to join.

Our Cohorts Share:

“I just skyrocketed. I’m actually doing the work.” – Lauren

“After I talk to her, I can’t WAIT to get back to work.” – Sharon
“You get the support and the love of a group of people that want you to succeed.”

— Meg Locke, alumna

IFS Coach, Mathilde Dratwa:

“The people that I met …worked on my first film …And are my friends to this day.” – Mathilde

IFS Coach, Tomás Gómez Bustillo:

“When we were kids, we were bold. And that boldness – we need to recover that.” – Tomás

• YOUR COACHES • 

Mathilde Dratwa

Mathilde Dratwa is a Brooklyn-based immigrant, writer, and mom. She has written features and pilots for Picture Start, Endeavor, LuckyChap, Sony/TriStar, FX, and Dirty Films. With Gillian Robespierre, she wrote a pilot for Chernin Entertainment (Natasha Lyonne attached) and two episodes of a series for Wiip (Julianne Nicholson attached). They’re currently writing The Plaza for Conde Nast and recently did a rewrite on an upcoming Netflix feature.

Mathilde writes, directs, and produces short content, including Cleo from 8:20 to 2:35, Peta Pan, Escape from Garden Grove, Almost Anonymous, and non-fiction animations for the Pulitzer Center and the International Consortium of Investigative Journalists.

An award-winning playwright, her plays include Dirty Laundry (WP Theatre, Audible, Henley Rose and Kernodle Awards), Milk & Gall (Theatre503, published by Nick Hern Books), A Play about David Mamet Writing a Play about Harvey Weinstein, and Esther Perel Ruined My Life. She began her filmmaking journey studying with Ela Thier and is thrilled to be back at the Independent Film School. She is repped by CAA and Writ Large.

Ekwa Msangi

Ekwa Msangi’s award-winning, critically acclaimed feature film, Farewell Amor, premiered at The Sundance Film Festival, where it earned a 98% rating on Rotten Tomatoes. The film received the Sundance Amazon Producer’s Award, the NYWIFT Directing Award, the Film Independent Spirit “Someone to Watch” Award. The film was acquired by IFC Films, as well as MUBI and Netflix worldwide.

Ekwa has directed for television, including Disney+’s Growing Up docuseries, STARZ’s adaptation of Three Women, and Hulu’s Saint X

Ekwa teaches Screenwriting at Emerson College and Vermont College of Fine Arts, where she draws on more than a decade of study with filmmaker Ela Thier. She has spent many years writing, directing, and teaching film and television in East Africa.

Ekwa is committed to transforming the way African cultures are represented on screen and to empowering African filmmakers to tell their own stories. She is currently developing on a feature film with Archer Grey.

Tomás Gómez Bustillo

Tomás Gómez Bustillo is an award winning writer and director from Buenos Aires, Argentina. 

His feature film, Chronicles of a Wandering Saint, premiered at SXSW where he received the Adam Yauch Hörnblowér Award, “in honor of a filmmaker whose work strives to be wholly its own, without regards for norms or desire to conform.” 

The film was nominated for three Film Independent Spirit Awards: Best First Feature, Best First Screenplay and Best Cinematography. 

Brought up across Argentina, El Salvador, Costa Rica and the US, he studied Political Science in Buenos Aires, and later earned his MFA in Directing at the American Film Institute Conservatory in Los Angeles. After graduating, he co-founded indie production company Plenty Good and has written, produced, and directed numerous short films.

BEFORE COACHING

AFTER COACHING

Videos are courtesy of our Fellowship student, Lindsey Brannon.

How to apply

THE IFS FELLOWSHIP IS OPEN BY INVITATION ONLY

Scroll down to schedule a consultation with Ela Thier.

This consultation doesn’t guarantee admission, and doesn’t obligate you to join.

“One decision can change your life in very dramatic ways.”
— Kevin Brodie, alumnus

Where will you be in 12 months?

Thinking about writing or creating a film, and telling yourself that you’ll do it some day?

Or attending your table read, going to your film set, or choosing an outfit for your premiere?

Fellowship Director, Ela Thier

I’ve written, directed, and produced several award-winning features and many shorts. Most recent title is 109 Billion Followers, starring Oscar winning actor J.K. Simmons. You can view my filmography on IMDB.

I’ve also guided hundreds of screenwriters, actors, and filmmakers since 2006, and proven time and again that to thrive, what artists need is someone who believes in them and holds out high expectations.

It’s been a highlight of my life to have launched careers of fellow artists.

“7 months later I have a film in the can. What?! Huh?!”
— FIANNA LITVOK, alumna
Every pro athlete has a coach. Artists need coaches too.

How to apply

THE IFS FELLOWSHIP IS OPEN BY INVITATION ONLY

Scroll down to schedule a consultation with Ela Thier.

This consultation doesn’t guarantee admission, and doesn’t obligate you to join.

This is the quality you want to look for in a program. I can have this experience with you instead of spending $60,000 on an MFA.”

— Marilyn McNeal, alumna

Alumnus David Maddox:

“We’re shooting in 11 weeks… that would not have happened without this program” – David Maddox

Alumnus Rodrigo Calvarhedo:

“They programmed 280 short films. We were nominated among seven.” – Rodrigo

your investment

Fellowship core program

Meet weekly (on zoom) with your coach and cohort to share work.

Meet with your coach privately, on an as-needed basis, for further guidance and input.

Correspond with coaches and colleagues in our private coaching channel for additional, individualized support.

Enjoy the bustle, resource-sharing and networking by interacting with hundreds of artists in our community outside the private coaching channel.

Work with Ela Thier and IFS coaches in person. Spend 3 days creating exercise shorts with your cohort. These 3 days alone are worth more than the price of admission.

Next Lab scheduled for spring 2026.

* Travel, food, and accommodations not included with program fee.

$33,000

The above are not available separately, but only as part of the IFS Fellowship Program.

BONUSES

Work from on anywhere, at your pace and on your schedule, through Ela Thier’s full suite of courses in screenwriting, directing, producing, and more.

Join our live co-working space to get focused on creative work, without the isolation.

Each month, spend just 10 minutes a day for 6 days working through bite-size, actionable assignments that will move you forward.

Meet with Ela Thier and other professionals for live Q&A’s at the end of each challenge.

$7,000

TOTAL VALUE: $40,000

* Savings of $830 when paying in full.

Get coached in fundraising

We could highlight alumni who raised $80K, $100K, or received an investment of half a million dollars. But those aren’t typical results. With our help, students with no prior experience routinely raise $5K to $30K, depending on the needs of their project. Receive the gift of knowing how to raise money for creative projects.

“I would have blown $10K and still not had a movie, if I hadn’t joined.”

— GHADAH ALRAWI, alumna

FAQ's

The year-round coaching is on zoom, so you can participate from anywhere in the world.

Our weekly roundtables usually meet on a weeknight, and the private office hours can be scheduled around yours and your coach’s availability.

Support in our private Slack channel is available throughout the week.

Being online gives us the flexibility to work around you: both in terms of location and schedule.

That said: we include a 3-day intensive in-person because nothing can substitute meeting in real life. These intensives take place in New York City.

The Fellowship is a year-long commitment, though some of our students stay on for several years. Filmmaking is about the long game.

The 3-Day Lab, led by Ela Thier and IFS coaches, will be held in the spring, in NYC.

Dates aren’t confirmed yet, but you’ll receive notice several months in advance so you can plan for it.

If you absolutely can’t make the scheduled time, we’ll credit you towards participating next year.

Because we’re mostly online, we can pull off charging a small fraction of what film schools cost, while offering an unparalleled amount of individualized attention.

We also guide our students through crowdfunding for help in funding projects.

That said, if joining would be a financial hardship, you should not apply – here or to film schools.

Film schools focus on mechanics, which is often the least important aspect of filmmaking.

While we deliver skill building in spades, we also focus on building confidence and community. We hold out high expectations, but also meet each artist where they’re at.

In film school everyone learns the same thing. This program tailor-fits your needs, goals, strengths – and schedule!

We cost a lot less – and deliver way more.

And for what it’s worth: scores of film school graduates have told us that our programs have done a lot more for their understanding of the mechanics than what they got from film school.

Ever go to a film festival? How many (gulp…) unmemorable films, or ones that are painful to watch, have you sat through?

Last time I went to a festival, an audience member said about the film created by my student: “Well, that one was different. You felt like you were watching a real movie.”

All those meh films that flood festival programmers aren’t coming from people without talent. They come from artists who haven’t received the training and support that they need to reach their potential.

Even the pretty looking ones that were well shot don’t leave a mark, because the quality of a film is not about mechanics.

We don’t want you to make a film. We guide you in making your best possible film – the one that audiences will go home thinking about. Those are the films that lead to creating more films.

Most of our students show up feeling this way. I felt that way for years while writing scripts and shopping them around, hoping for that magic “sale.” (Plot spoiler: that sale doesn’t come until you’ve produced your own films.)

That said, you can absolutely focus  your year on building a serious body of written work.

Just be forewarned that most of our students who show up not wanting to produce their work end up getting inspired by their colleagues and deciding to take the plunge so they can see their work come to life.

Don’t say we didn’t warn you!

Yes and no.

Yes, because if you’re an actor, training with us will make you the best possible actor that you can be, and you’ll be equipped to nail auditions.

But no, because the focus is on writing and creating your own projects.

If you’re an actor ready to develop and create projects for you to act in – then you won’t find a more productive space.

Absolutely. Every artist needs coaching, no matter their level of experience. I turn to coaching myself, regularly. We’ve had professional writers and filmmakers join our program to up-level their skills, and build their body of work in both quality and quantity.

About fifty percent of our students believe that they’re the least experienced person in the group. How is half the group the “least experienced? Lol.

It would be a mistake to “wait until you’re ready.” This program is exactly how you get yourself ready. We’ll take you from zero to sky’s-the-limit.

Never written a single word of a single script? Join us and we’ll launch you. Enough with the waiting.

Just heads up that if you’re really, truly a complete beginner, half the group will still be convinced that they have less experience than you 😉

How to apply

THE IFS FELLOWSHIP IS OPEN BY INVITATION ONLY

Scroll down to schedule a consultation with Ela Thier.

A $500 refundable deposit is required. If you’re invited to join and choose to, this deposit will be applied towards your fee. If you don’t join, it will be refunded in full.

This consultation doesn’t guarantee admission, and doesn’t obligate you to join.

imagine

The table read, the premiere, the rest of your life:

APPLICATION DEADLINE: THURSDAY, MARCH 19.

The $500 refundable deposit will be applied towards your tuition if you join, or refunded in full if you don’t.

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