Weekly Live Roundtables (on zoom) are a safe space to share work for the encouragement, accountability, and expert feedback. Become prolific and discover your best work.
Meet your coach privately for added accountability, strategy, and feedback. Office hours help build skills, confidence, and your body of work.
Every four weeks: live directing workshops, led by Ela or one of our coaches, where you’ll work with actors and practice directing in real time.
Every four weeks: Meet in small groups with working writers, directors, producers, agents, casting directors, festival programmers, film sales agents, DPs, production designers, and other industry professionals.
The 3-Day Lab meets in person, in NYC, and is led by Ela Thier. You’ll leave with an exercise shoot that you love, and the skills to create many more.
The Private Fellowship Slack Channel is an online forum where you can communicate daily, or as often as you wish, with your coaches and colleagues.
Once your script is greenlit by your coach and heading into professional production, receive a private consultation or script notes from Ela Thier to arrive at your locked shooting script.
TO APPLY: scroll down to schedule a (free) consultation with Ela Thier.
A $500 refundable deposit is required. If you’re invited to join and choose to, this deposit will be credited towards your fee. If you don’t join, it will be refunded.
This consultation doesn’t guarantee admission, and doesn’t obligate you to join.
“I just skyrocketed. I’m actually doing the work.” – Lauren
“After I talk to her, I can’t WAIT to get back to work.” – Sharon
Mathilde Dratwa and Tomás Gómez Bustillo
Mathilde Dratwa is a Brooklyn-based immigrant, writer, and mom. She has written features and pilots for Picture Start, Endeavor, LuckyChap, Sony/TriStar, FX, and Dirty Films. With Gillian Robespierre, she wrote a pilot for Chernin Entertainment (Natasha Lyonne attached) and two episodes of a series for Wiip (Julianne Nicholson attached). They’re currently writing The Plaza for Conde Nast and recently did a rewrite on an upcoming Netflix feature.
Mathilde writes, directs, and produces short content, including Cleo from 8:20 to 2:35, Peta Pan, Escape from Garden Grove, Almost Anonymous, and non-fiction animations for the Pulitzer Center and the International Consortium of Investigative Journalists.
An award-winning playwright, her plays include Dirty Laundry (WP Theatre, Audible, Henley Rose and Kernodle Awards), Milk & Gall (Theatre503, published by Nick Hern Books), A Play about David Mamet Writing a Play about Harvey Weinstein, and Esther Perel Ruined My Life. She began her filmmaking journey studying with Ela Thier and is thrilled to be back at the Independent Film School. She is repped by CAA and Writ Large.
Tomás Gómez Bustillo is an award winning writer and director from Buenos Aires, Argentina.
His feature film, Chronicles of a Wandering Saint, premiered at SXSW where he received the Adam Yauch Hörnblowér Award, “in honor of a filmmaker whose work strives to be wholly its own, without regards for norms or desire to conform.”
The film was nominated for three Film Independent Spirit Awards: Best First Feature, Best First Screenplay and Best Cinematography.
Brought up across Argentina, El Salvador, Costa Rica and the US, he studied Political Science in Buenos Aires, and later earned his MFA in Directing at the American Film Institute Conservatory in Los Angeles. After graduating, he co-founded indie production company Plenty Good and has written, produced, and directed numerous short films.
TO APPLY: scroll down to schedule a (free) consultation with Ela Thier.
A $500 refundable deposit is required. If you’re invited to join and choose to, this deposit will be credited towards your fee. If you don’t join, it will be refunded.
This consultation doesn’t guarantee admission, and doesn’t obligate you to join.
I’ve written, directed, and produced several award-winning features and many shorts. Most recent title is 109 Billion Followers, starring Oscar winning actor J.K. Simmons. You can view my filmography on IMDB.
I’ve also guided hundreds of screenwriters, actors, and filmmakers since 2006, and proven time and again that to thrive, what artists need is someone who believes in them and holds out high expectations.
It’s been a highlight of my life to have launched careers of fellow artists.
THE HOTDOG by Javier Arias-Stella
BEHOLD THE TOWER by David Maddox
HER by Rosie Moss
Trina Snow describes the 3-Day Lab
The year-long IFS Fellowship Program includes a 3-day Filmmaking Lab, where you’ll write, direct, and complete a micro-short film. The lab meets in-person, in New York City, and is led by Ela Thier. If you’re unable to attend, you’ll receive a lab credit, valid for two years.
These are micro-shorts done as an exercise. If you apply for the Fellowship, we’ll share private screeners of professionally produced films created by our alumni.
TO APPLY: scroll down to schedule a (free) consultation with Ela Thier.
A $500 refundable deposit is required. If you’re invited to join and choose to, this deposit will be credited towards your fee. If you don’t join, it will be refunded.
This consultation doesn’t guarantee admission, and doesn’t obligate you to join.
“IFS was a portal… I knew there was something out there, but I couldn’t figure out how to get in.” – Natalie Mathis
“The connections are there… forever.” – Guillermo Arias
“We’re shooting in 11 weeks… that would not have happened without this program” – David Maddox
“They programmed 280 short films. We were nominated among seven.” – Rodrigo Carvalhedo
Meet every two weeks with a small cohort to share your work, get feedback, guidance, and encouragement from your coach and peers, and keep your projects moving.
Meet privately with your coach whenever you need one-on-one guidance, feedback, and support. Typically students meet with their coach every two weeks.
Every four weeks, attend a Directing Clinic for hands-on practice in directing actors. Clinics. Led by Ela Thier and coaches.
Every four weeks, meet with industry professionals – writers, directors producers, agents, casting directors, festival programmers, sales agents and more – for insights and professional connections.
Correspond with coaches and colleagues in our private coaching channel for additional, written support.
Work with Ela Thier in person, in New York City. Spend 3 days writing and directing a short film. (Travel expenses not included.)
Once your script is greenlit by your coach and you’re preparing for production, receive either script notes or a consultation with Ela Thier to finalize your locked shooting script.
Work from on anywhere, at your pace and on your schedule, through Ela Thier’s full suite of courses in screenwriting, directing, producing, and more.
Join our live co-working space to get focused on creative work, without the isolation.
Each month, spend just 10 minutes a day for 6 days working through bite-size, actionable assignments that will move you forward.
At the end of each challenge, meet with Ela Thier and coaches for live Q&A’s, further guidance, and to meet the wider community.
* Savings of $700 when you pay in full.
A $500 refundable deposit is required. If you’re invited to join and choose to, this deposit will be applied towards your fee. If you don’t join, it will be refunded in full.
This consultation doesn’t guarantee admission, and doesn’t obligate you to join.
Applications close October 1 or when spots fill.
The year-round coaching is on zoom, so you can participate from anywhere in the world.
Our roundtables, directing clinics, and industry meets, get scheduled into a regularly weekly time slot. The private office hours can be scheduled around yours and your coach’s availability.
Support in our private Slack channel is available throughout the week.
Being online gives us the flexibility to work around your location and schedule.
We also include a 3-day Filmmaking Lab in-person because nothing can substitute meeting in real life. These intensives take place in New York City.
The Fellowship is a year-long commitment, though some of our students stay on for multiple years. Filmmaking is about the long game.
The 3-Day Lab, led by Ela Thier and IFS coaches, will be held in the spring, in NYC.
Dates aren’t confirmed yet, but you’ll receive notice at least three months in advance so you can plan for it.
If you absolutely can’t make the scheduled time, you’ll receive a Lab credit, valid for two years.
Because we’re mostly online, we can pull off charging a fraction of what film schools cost, while offering an unparalleled amount of individualized attention.
We also guide our students through crowdfunding for help in funding projects.
That said, if joining would be a financial hardship, you should not apply – here or to film schools.
Film schools focus on mechanics, which is often the least important aspect of filmmaking.
While we deliver skill building in spades, we also focus on building confidence and community. We hold out high expectations, but also meet each artist where they’re at.
In film school everyone learns the same thing. This program tailor-fits your needs, goals, strengths – and schedule!
We cost a lot less – and deliver way more.
And for what it’s worth: scores of film school graduates have told us that our programs have done a lot more for their understanding of the mechanics than what they got from film school.
Ever go to a film festival? How many (gulp…) unmemorable films, or ones that are painful to watch, have you sat through?
After watching a film created by one of our students at a festival, the guy sitting next to me said: “Well, that one was different. You felt like you were watching a real movie.”
All those meh films that flood festival programmers aren’t coming from people without talent. They come from artists who haven’t received the training and support that they need to reach their potential.
Even the pretty looking ones that were well shot don’t leave a mark, because the quality of a film is not about mechanics.
We don’t want you to make a film. We guide you in making your best possible film(s) – the ones that audiences will go home thinking about. Those are the films that lead to creating more films.
Most of our students show up feeling this way. I felt that way for years while writing scripts and shopping them around, hoping for that magic “sale.” (Plot spoiler: that sale doesn’t come until you’ve produced your own films.)
That said, you can absolutely focus your year on building a serious body of written work.
Just be forewarned that most of our students who show up not wanting to produce their work end up getting inspired by their colleagues and deciding to take the plunge so they can see their work come to life.
Don’t say we didn’t warn you!
Yes and no.
Yes, because if you’re an actor, training with us will make you the best possible actor that you can be, and you’ll be equipped to nail auditions.
But no, because the focus is on writing and creating your own projects.
If you’re an actor ready to develop and create projects for you to act in – then you won’t find a more productive space.
Absolutely. Every artist needs coaching, no matter their level of experience. I turn to coaching myself, regularly. We’ve had professional writers and filmmakers join our program to up-level their skills, and build their body of work in both quality and quantity.
About fifty percent of our students believe that they’re the least experienced person in the group. How is half the group the “least experienced?” Lol.
It would be a mistake to “wait until you’re ready.” This program is exactly how you get yourself ready. We’ll take you from zero to sky’s-the-limit.
Never written a single word of a single script? Join us and we’ll launch you. Enough with the waiting.
Just heads up that if you’re really, truly a complete beginner, half the group will still be convinced that they have less experience than you 😉
Applications close October 1 or when spots fill
The $500 refundable deposit will be applied towards your tuition if you join, or refunded in full if you don’t.
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