A lifetime digital course.
A lifetime of skills, community, and singular stories.
You have ideas for stories that you’re excited about but you never seem to get started.
You get started, but few (or none!) of the scripts get finished.
You know that writing is rewriting, but you’d rather get a root canal than deal with the revision process.
You’ve written and completed scripts that you’re proud of. So why are they not getting traction? (The most painful one!)
Or maybe you’re an actor wanting to write your own material, but you know that if the writing doesn’t wow, neither will the performances.
You’re some combination depending on the day…?
Books
Free stuff online
Courses, classes, workshops
Will power & discipline
Time management systems
Taking time off… or dreaming about it
Writing groups, consultants, accountability partners…
And you’re still not the writer that you know you could be.
Not living up to your potential is painful.
Especially when you know that your work would make a difference to people.
Writing became a casual part of your daily habits?
What if inspiration felt like a faucet, and you could turn it on any time you wanted to?
What if writing didn’t drive you to isolation but drove you, instead, to a bustling community where shy people rule (because everyone does)?
What if the revision process became a form of relaxation?
After gobbling up every book and class in reach, after climbing out of years-long writing blocks, after writing dozens of scripts – great ones, whatever ones, bad ones, and after training thousands of writers, I devised the course that I wish I had when I needed it.
Introducing:
Work through the course at your pace and on your schedule. Binge watch now or take your time. Refer back to the course as many times as you need it. Many alumni go through it with every script. When I get stuck, I still go back to it myself and use the exercises in my own writing.
If you watch at least one module but not more than half the course, and it doesn't meet or exceed your expectations, request and receive a full refund. No questions asked.
Modules include short video lectures (5-20 minutes each), writing exercises, and PDF cheatsheets.
8 UNITS
Free your creativity. I use the exercises in this module almost daily.
7 UNITS
You don’t write hit movies by figuring out trends. You write those characters and stories that only you could write. Get the treasure map to find them.
4 UNITS
A writing life is all about the long game. Build the networks and support that you need to persist and stay the course.
10 UNITS
There are common ingredients to hit movies and shows that have nothing to do with structure. Write scripts that stick out of the pack with insights that you won’t find in any class or book.
5 UNITS
Learn the most important things that you need to know about storytelling in less than 30 minutes. These insights alone will instantly make you a more powerful storyteller.
12 UNITS
Once you identify the “DNA” of your story, you can then extrapolate the rest of the script with ease. Discover an organic approach to story structure that respects the creative process.
6 UNITS
OMG those cheesy stories where a character has some flaw and then at the end: boom! They have some epiphany and say some syrupy thing… Don’t be that guy. This module will offer an easy tool to creating a gradual and compelling arc.
7 UNITS
When The Hero’s Journey is used properly, it offers you the dashboard you need to fine tune and shape your story. I summarize and demonstrate how to use this tool when you write entirely by inspiration.
4 FILMS
Become your own best script consultant. I analyze two features and two short films in very different styles and budget levels, using the tools that I teach in this course. See these tools in action!
4 UNITS
What if revising a script felt like a frolic on the beach? In this module I offer tools to creating story maps that make this adventure… adventurous!
The tools in this course are appropriate for features, shorts, pilots and series. Throughout the course I explain how I might use these story tools differently depending on the medium.
I demonstrate use of these tools by analyzing two feature films, two short films, two pilot episodes, and a regular episode. I span the range of comedy, drama, budget levels and nationalities, to demonstrate the universality of the story tools that we use.
Creative writing prompts; sample scripts (my own!); recommended resources for further study; tips to running writing groups; lectures on writing descriptions, exposition, dialogue, etc.
If I think of it, it’s either there or on its way there.
Get addicted to writing!
→ Receive ONE MONTH FREE when you enroll with the payment plan.
→ Receive ONE YEAR FREE when you enroll with the pay-in-full option.
We offer facilitated writing sessions daily throughout the day. Join as many or as few as you want to fit your schedule. Our writing sessions will keep you focused, writing, and connected to peers.
Unlock special bonuses! When your complimentary membership in The IFS Studio expires, you’ll have the option to subscribe and remain a member.
Unlock our invitation to our monthly live sessions, once you complete the course. How’s that for an incentive? I ain’t letting you join a course and then not use it! Nah uh!
Meet alumni, ask questions, and watch the tools of the course in action.
Some of my alumni have formed lifelong collaborations and friendships.
The virtual Alumni Studio, available while you participate in the IFS Studio, is open for individually scheduled writing sessions 24-7.
I conduct my own writing sessions in our Alumni Studio. Pop in and you’re likely to find me there doing my own work.
Use our alumni forum to share wins, goals, rely on peers for accountability, or to ask questions. Access to our private alumni forum never expires.
Get access to sample scripts, writing prompts, and resources to help you learn more about screenplay format, dialogue, characters, and so much more. If I thought of it, it’s either in there or on its way there.
When Ela offered her course online, I jumped at the opportunity, knowing I'd be able to review the material and exercises whenever I wanted. Within two months I went from never writing to writing consistently every day.
If you are stuck in any way, like I was for years, I HIGHLY RECOMMEND Write Your Best Screenplays. It just may change your life. It has mine.
If you don’t have time now, you won’t have time later. You’ll never have time.
We keep looking for those giant swaths of time away from the world, but these never come.
DEDICATE 10 MINUTES A MONTH to this course, and a year from now your writing life will be utterly transformed.
To meet our most significant goals, we must take one baby step at a time, but we must keep on stepping.
These prices are per year, as of 2019. Multiply these numbers by 4 to figure out what a degree would cost.
My name is Ela Thier. I’ve written countless scripts, many of which have been produced (links below the photo). I’m proud to have received major awards and positive reviews in major industry publications. I’m also proud of the hundreds of pass letters that didn’t stop me – at least not permanently.
I’ve been through the doubts of whether I’m a “real” writer, been through writing blocks, dug myself – with much help – out of that ditch, and (cut to: years later) became a prolific writer who loves her scripts. I’ve written boring scripts, I’ve written ok scripts, and eventually, step by step by step, while practicing and studying the craft up and down (cut to: many years later), I arrived at scripts that led to standing ovations. Over the years, I’ve developed an efficient and simple approach to writing that leads me to my best works – consistently.
Training writers has been a profound part of my journey. Since 2006, I’ve gotten to instruct and mentor thousands of screenwriters and filmmakers, as I developed the course that I wish I had gotten to take.
I love writers. I love our courage. I love what we contribute to our societies. I don’t love our invisibility, our financial hardships, the harsh criticisms we receive with little actual help, and the resulting insecurities that we wear like battle scars.
Thank you for having the courage to live a creative life. Everyone is better off because you persist.
Yes and no. This course contains all the tools that I use to arrive at unique and exciting scripts that I’m totally in love with.
But – a course can offer tools and encouragement, it can’t offer experience. That part is on you. I’m giving you the treasure map, but you have to do the work of finding the treasure.
Take these tools, use them day after day, script after script, and you will arrive at your best screenplays. I’m here to offer guidance, and to tell you that you can do this. I’m certain that you can.
This course is definitely for you. Why not adopt healthy habits as a writer from the start; it’ll save you years of unnecessary trial-and-error and a few writing blocks along the way. Might as well skip all that and get to the good stuff.
As you gain experience, you’ll want to re-watch certain sections of the course because you’ll hear different things and understand them more deeply.
Positively. Although the course launches new writers, more experienced writers actually get more out of it.
Wouldn’t it be nice to enjoy the revision process and see actual results, rather than write yourself in circles and turn your screenplays into daunting homework assignments? Yes please! Wouldn’t it be great to abandon formulas, find your best work that is unique to you, and know how to stay fresh and inspired through every step of the process?
Lastly, the module on maximizing emotional impact will lift your work to new heights. I’ve never taken a course or read a book that tackles what I offer in that section.
Yes. In the second half of the course where I go through the nuts and bolts of story structure, I reference Shrek (the first one) and Whale Rider. I also reference the pilot episodes of 30 Rock and Breaking Bad.
You should watch those in order to follow the sections on structure, but there is no rush. The first half of the course doesn’t require anything other than showing up and doing the exercises.
This is an online course, so you can work through it at your own time and pace.
The course is delivered as a series of video lectures, organized into short and descriptive units for easy reference.
Each of the modules that I describe in the outline above includes several lectures, most of which are 5-20 minutes in length. The speed control feature will allow you to watch these at a faster or slower pace.
Altogether there are roughly 50 lectures in the course. All of them include PDF’s with bullet points for review.
In addition to the lectures, each module also includes several exercises, some of which can be done repeatedly. There are certain writing exercises that I’ve been doing over and over again for years – every time I work on a script.
You can binge watch through the course over a weekend or two, or you can work and rework through it for months… or years.
As your writing improves, you’ll hear and understand things differently, and will likely find yourself rewatching at least some portions of the course.
Lifetime! Realistically, as long as both the internet and I exist, I can guarantee your access.
I have a Master's from USC and a BA from NYU. I've read ALL the screenwriting books. I've worked in feature development in Hollywood. Bottom line: ELA KNOWS HER S#IT. She's truly a master of the craft ...and she makes the method super accessible to anyone, newbies and veteran writers alike.
But the best part? She really gets how writers operate and has a process that will have you saying goodbye to writer's block and hello to your next screenplay. Do not miss this!
As a former literary agent at Gersh, I would recommend your course to any writer who is starting out, switching mediums, or an experienced writer looking to add weapons to their arsenal and write more memorable scripts.
Work through the course at your pace and on your schedule. Binge watch now or take your time. Refer back to the course as many times as you need it. Many alumni go through it with every script. When I get stuck, I still go back to it myself and use the exercises in my own writing.
If you watch at least one module but not more than half the course, and it doesn't meet or exceed your expectations, request and receive a full refund. No questions asked.
3 sessions with Ela Thier taught me more than an entire semester of an expensive film school.
– PAYAL SETHI
One of the best things I’ve ever done to advance my creativity and craft.
– BEVERLY BROOKS
When I read the testimonials on Ela’s website, I said to myself: “No one is that good.” And I was right. Ela is infinitely better than good.
– STEVE KLAUSNER
Ela’s techniques turn her students into writing athletes. It’s the difference between despair and glee at the keyboard.
– JOSEPH SPAID
Ela’s workshop not only changed me, but I can even see her influence on filmmakers who haven’t taken her class but are learning from her students! Ela doesn’t just care about art – she cares about artists, and has the tools and know-how to empower artists at all levels.
– CAMERON KELLY
– SATTIE PERSAUD
For any writer with any amount of experience. Ela will provide you with tools to dig you out of any pit, as you employ structure without losing the soul of a script.
– MELISSA BERG
The workshop was immeasurably helpful even in my defining and shaping a documentary …I shuffled the cards I had in a different way. And now the funders are happy!
– STEPHANIE DANIELS
A huge eye-opener. I’m now obsessed with my script and looking forward to working on future scripts – instead of agonizing over the process. Thank you.
– MATTHEW JARRETT
Ela’s words are like manna to a writer’s soul. She enunciates feelings I’ve had about writing forever. Absolutely top-notch.
– IAN KELLY
Ela is outstanding, a rare find, a unicorn.
– MATHILDE DRATWA