Independent Film School

The greatest Return On Investment will come from what you invest in your relationships.

Time: March 27-28, 2010
Sat-Sun, 10am-6pm
 
Location:
462 Broadway, NYC
 

Fees: $185

nyc film school, Ela Thier
nyc film school, Ela Thier

warning_small.jpg
WARNING: People who attend this workshop end up making movies!

Actors Jay O. Sanders and Maryann Plunkett with crew on the set of A STORY FOR OLD LOVERS
COURSE DESCRIPTION
 
This comprehensive, entertaining and accessible seminar covers the topics below as they pertain to live-action, fiction films, ranging from the no-budget "exercise short" to the under-mil feature. Workshop is interactive, and ample time is allotted for participants to ask questions and receive advice about their own projects. Filmmakers may wish to attend with a project in mind, at any stage of its development, but this is not required. A 100+ page handbook with sample schedules, budgets, contracts, and much more, is included. No prior experience in film production is assumed.
 
SATURDAY

10-12Pm ABOVE-THE-LINE: PACKAGING A FILM

Networking Tools
Goal-setting: joining big dreams with realistic planning
ABOVE-THE-LINE: Choosing the Script, the Director, a Producing Partner
Casting

Lunch: 12-1pm

1PM-3PM FUNDRAISING

Effective pitching
For-profit vs. non-profit
Creative fundraising: donations, grants, in-kind contributions
• Writing a business plan; approaching investors

3PM-4:30pm SCHEDULING
Script Breakdown
Scheduling
• The Timed Shot List

5pm-6pm BELOW-THE-LINE: CREWING UP
• Overview of the film crew and each role
• Choosing crew size: which corners can and can't be cut
Contracts: the three points of negotiations, the four forms of compensation

SUNDAY

10-12pm FILM BUDGETING
The no-budget exercise short
The professional calling-card short (5K-50K)
No-budget features (under 150K)
Under-mil features
Tips to staying on budget

Lunch: 12-1pm

1pm-3pm PHYSICAL PRODUCTION
The Complete Production Check-List
• On Set: Protocols & their purpose, Call sheets, Production reports

3pm-4pm POST-PRODUCTION
The Edit
Sound / Music
Final Delivery

4:30-6pm DISTRIBUTION
Festival strategies
Distribution & Self-Distribution
Publicity & Marketing


ACCLAIMED FEATURE FILMS PRODUCED FOR UNDER $100K
 
IN SEARCH OF A MIDNIGHT KISS (15K)

AUGUST EVENING (40K)

BLOOD CAR (25K)

CRASHING (10K)

THE DEATH OF MICHAEL SMITH ($541)

BANGKOK (20k)

THE DOGWALKER (100K)

LOVE AND SUICIDE (Cost of tape)

COLIN ($70)

FORGIVING THE FRANKLINS (100K)

CHALK (Under 100K)

MUTUAL APPRECIATION (50K)

THE PUFFY CHAIR (15K)

ROOM (Under 100K)

CAVITE (Two plane tickets)

SLEEPING DOGS LIE (Under 100K)

IN BETWEEN DAYS (60K)

THE TALENT GIVEN US (30K)

DEAR PILLOW ($3,800)

FOLLOWING (12K)
 
Produced for under $150K, budgets unknown:
 
BAGHEAD

MOMMA'S MAN

TRIGGER MAN

SEVERED WAYS

OWL AND THE SPARROW

LOW AND BEHOLD

GREAT WORLD OF SOUND

THE SIGNAL

SHOTGUN STORIES

CONVENTIONEERS

filmmaking classes Ela Thier Independent Film School NYC

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