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The set of FOREIGN LETTERS. Photograph by David Brommer

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WORKSHOPS TAUGHT BY ELA THIER:
 
screenwriting workshops
filmmaking classes

 
film directing courses
nyc film school

Why YOUR work
Should Be
Supported


As a literary agent, I would recommend your workshop to any writer who is starting out, switching mediums, or an experienced writer looking to add weapons to their arsenal and write more memorable scripts.
SONIA PABLEY

Literary agent, The Gersh Agency


Three sessions with Ela Thier taught me more than an entire semester of an expensive film school.
PAYAL SETHI
Distributor, Film Karavan
Film Market & Festival Programmer: IFP, Tribeca

 
I spent $65,000 and 13 years earning a BFA and two MFA's in theater, film writing and film directing. I learned more in a two-day workshop with Ela Thier.
CO MOED

There are a million writing classes but only one Ela. She is a godsend to writers who need encouragement and real tools for success. Take her class and spend the rest of your life finishing good scripts!
KATE FARREL
Four times Emmy-award winner
22-years of television production

I want to thank you for opening the door for me.  I will be shooting my first short, Straight Face, within the next few weeks. You really are an inspiration.
TINA LEE

I love your warm and generous spirit and your sense of humor. Your method is the best one I encountered for using stories to address the human condition. Your class is one of the best things I've ever done to advance my creativity and craft.
BEVERLY BROOKS
Co-Producer of segments for E!
Co-writer and producer of TV documentaries

 
At an expensive and reputable film school no one showed me how to write a film. The message was: "Go! If you're a genius you'll be brilliant and won't have any problems..." As a black woman in a mostly white school, sharing my work and trying to get feedback was one of the most invalidating experiences I ever had... I've never felt more comfortable than I have with Ela. I'm so happy with my progress, what I accomplished was monumental. Wonderfully affirming experience, it's literally been a life-changing experience for me.
EKWA MSANGI-OMARI
Director, Block D (TV) and The Agency (TV)

 
Ela is one of the most genuine and caring people that I've met. At every session, you walk out the door with the knowledge that your teacher believes in you, in what you have to say, and that you are the best person to tell your story.
CHANA EWING
Little Big Girl Production

 
I've been writing scripts for over 20 years, and learned more in 3 hours with Ela Thier than I have in two decades.
EDDIE ARANOFF
 
Ela has an infectious passion for her craft. I've found a whole new way to approach what used to feel like a mountain and is now fun. Ela always encourages you to hold true to your own ideas and imagination while offering a new way of understanding structural needs. I can't wait for her next class!
BENNO SCHOBERTH
Writer-Director, Shelter, First Prize IFP Market

 
Ela's lessons on giving feedback and listening to artists should be published widely. She is able to help people help each other. Her wealth of insights into story-telling will make me not only a better filmmaker but also a better teacher and student.
YVETTE EDERY
ArtistrYE Productions, NYU Professor of puppetry

 
When I read the testimonials on Ela's website, I said to myself: "No one is that good." And I was right. Ela is infinitely better than good. Most screenwriting gurus claim to know all the answers. Ela goes them one better, she asks all the right questions. Whether you're a complete novice or a battle-hardened, ink-stained wretch, I defy you to take this workshop without learning a number of invaluable lessons about film, the craft, the business and, more importantly, yourself.
STEVE KLAUSNER
Best Screenplay, Headspace, NYC Horror Film Festival

 
Ela's razor sharp mind for screenplay analysis is astounding.
VIRGINIE DANGLADES
Editor, Sparks, Three Days in Dublin

 
Ela's techniques turn her students into writing athletes. It's the difference between despair and glee at the keyboard.
JOSEPH SPAID
Director, Kiran Over Mongolia and Watch the Closing Doors

 
Ela's workshop not only changed me, but I can even see her influence on filmmakers who haven't taken her class but are learning from her students! Ela doesn't just care about art she cares about artists, and has the tools and know-how to empower artists at all levels.
CAMERON KELLY
BA in Film Arts, Hunter College

 
If you've ever been inspired and wonder why you lost it, you probably got stuck on plot. Ela's workshop helps free your mind from this obstacle so that your inspiration has no place to hide.
CHRISTIAN ZARAGOZA
 
I co-wrote a one-act play this summer that received much critical acclaim... We followed your notes and handouts! Thanks for making me a better writer, Ela!
TARA BRODIN
 
Ela is encouraging, smart, and easy to talk to. I feel like I'll be able to write a screenplay whereas before it seemed like an impossible task. Thanks for all your help, I can't wait to continue!
TRACEY SCOTT WILSON
Helen Merrill Playwriting Award and Whiting Award

 
I went from being a Neanderthal writer using sticks and rocks to evolving thousands of years and using super-technology. Much to absorb and utilize, and I believe I will.
RAQUEL SOLOMON

An excellent workshop for writers opposed to dry "how to…" modules. This one will get you thinking and more importantly: writing! This class is for any writer with any amount of experience. Ela will provide you with tools to dig you out of any pit, as you employ structure without losing the soul of a script. With her workshop comes inspiration and drive; you will turn your imaginative dreams into a tangible reality.
MELISSA BERG

I've never met a more generous and compassionate filmmaker. Ever. I've written more in this class than any other.
RENE ALBERTA
Writer-Director, above & beneath, Premiered at Sundance, Broadcast on PBS and IFC Channel

 
Oh, I just love this class. Ela's words are like manna to a writer's soul. She annunciates feelings I've had about writing forever; when she wrote notes on my work, she expressed what I felt deep down. Ela's enthusiasm is contagious; she's as a good a motivator as she is a teacher and writer. Absolutely top notch. I'd recommend this class to anyone!
IAN KELLY

To be a teacher, among other things you must have a generous spirit and this Ela has in spades. She turns her students into more creative and disciplined writers, her workshop is hands-on writing, it is fun and offers the opportunity to network with other enthusiastic and hard-working writers. I highly recommend Ela Thier's writing workshop.
LEE EYPPER
Award-Winning Writer-Director Throw Me A Line and Girlspree

 
Learn from someone who is doing it, rather than the many "experts" who pontificate. Ela is generous of heart and knowledgeable; I've never taken a class this informative and user-friendly.
KEVIN DWANE
 
Besides knowing the craft of screenwriting like the back of her hand, Ela is a natural teacher that can identify an individual writer's needs. She lets each voice emerge in a way that best suits the medium.
COLIN McGREAL
Writer-Director, Apsara, Winner of several best-short awards

 
A huge eye-opener. I'm now obsessed with my script and looking forward to working on future scripts - instead of agonizing over the process. Thank you.
MATTHEW JARRETT
BS - TV and Film, Syracuse University
Writer/Director, The Misconception of Randal Bimford

 
Ela develops the course as we go to fit the needs of the class, keeping it interesting and relevant. Her grasp of structural elements seems infinite and is always illuminating. Her kindness and spirit are changing the world one screenwriter at a time.
BETH ANN DAILEY
Writer-Director of independent shorts including The Real Men We Love on Oxygen Network

Ela's class has made the single difference between my writing and just thinking about writing. I love her spontaneity, humor, frankness and wealth of practical knowledge which she shares generously.
WENDY SAX
IFP Market, Former Artistic Director
VP Development, Ergo Arts, Inc
Co-Producer Songcatcher
 

With specific tools and guidelines, Ela took the intimidation of writing a feature away. Her simple step-by-step process helped me figure out how to write more effectively. I even applied what I learned on story structure to edit my feature documentary.
STEVE HUTCHISON

Ela gives concrete tools that are fun to use. She knows her craft inside out and conveys that knowledge in a way that eases the process and makes it your own. No book I ever read explained how to wrestle my story into shape. After being blocked for so long, it's refreshing to be able to move and explore again. Thank you, Ela, so much.
TIBY KANTROWITZ
 
I thought I knew a lot about making movies until I took Ela's class. Her simple, direct and specific instruction and help, will make me a better filmmaker.
ANNETTA MARION
Director, Alaska, The Doll Collector
Producer on dozens of film and TV programs

 
While bringing her own experience and aesthetic, Ela always meets a script on the script's own terms, helping to guide it exactly where it wants to go. Ela's approach has given me much more control in my work, but more importantly, she greatly amped up my passion for writing, commercially and independently, and I consider that an enormous gift that will pay dividends on all my future scripts.
ADAM NEMETT
Instructor of Cinema Studies, Maryland Institute College of Art
Graduate of Creative Writing Program, Princeton University
Writer-Director, The Instrument

 
Ela can recognize, appreciate and nourish your idea by pushing you to find your story's structure and its moments of emotional discovery and catharsis.
LEISL DAVIS
 
When Ela sat down to give me notes on my treatment, I kept stopping her to ask: where have you been all my life?
ELIZABETH MEISTER
Director and Editor
MFA in Film, Northwestern University

 
I've been trying to finish my script for over a year, and your writing exercises helped me break it down. Now I feel like I can write an original, worthy, interesting and marketable script.
CHARLIE DARLING

Ela was able to see exactly where the problems were in my scripts and gave clear and effective notes about how I could fix them. She knows structure like the back of her hand, was able to relay how to fix any problems while still keeping me inspired in my own story without getting bogged down in the abc's of structure.
NATASHA LEVINGER
Award-winning writer of Oxygen movie My Sexiest Mistake
Rewriter of a variety of movies for film and television


I was actually skeptical at first because my genre was a violent action film and it didn't seem like Ela's specialty. It turned out that my most violent character was also her favorite! She's been a great aid in helping my action script with something that many others are lacking: a great story. I highly recommend.
JAMIE PAYGE
Screenwriting student, Hofstra University

I feel so rejuvenated from our class!! I'm so grateful. It was truly a wonderful experience and I look forward to the two more screenplays I have in me this year. I'm thrilled!
NICOLE FRANKLIN
Writer-Director-Producer


Ela's talent and passion for writing shines through in each honest and supportive suggestion. Our sessions together had an amazing impact on my knowledge of screenplay fundamentals, and my ability to get my ideas onto the page.
BRIAN ROSS
Film Student, New York University


Ela is like the fairy godmother of screenwriting, with all the right tricks up her sleeve to help transform any script into the real thing. Given her experience and her natural talent as a writer, there can't be a better find than Ela to help you get on your way!
SATTIE PERSAUD
Graduate of the Screenwriting Program New York Film Academy


Ela's lecture presentations are focused yet playful, balancing the personal and the abstract. She has the ability to give extremely thoughtful feedback and is enormously generous with her experience and thoughts. Thanks for the inspiration and ability to pass on real skills and tools. I'll be back for more.
GAIL PELLETT
Producer-Director-Writer of award-winning documentaries at PBS
for 20 years including 15 years with Bill Moyers


Your workshop impacted me very deeply; I've been writing daily since. What I came out with was a way to work on my ideas without getting in my own way. The workshop was immeasurably helpful even in my defining and shaping a documentary. I didn't think it would be useful for documentary filmmaking, but it was. Instead of thinking it up and making it happen, I shuffled the cards I had in a different way. And now the funders are happy!
STEPHANIE DANIELS
Emmy Award-winning Director/Producer

 
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