Independent Film School

Production value doesn't come from equipment but from what you do with it.

Time:
Sat-Sun, Nov 13-14, 2010
10am-6pm

Location:
462 Broadway, NYC
 

Fees: $285

filmmaking classes, independent film school, Ela Thier
filmmaking classes, independent film school, Ela Thier
 

Milton Kam and Ela Thier on the set of FOREIGN LETTERS. Photograph by Thomas Barnes

COURSE DESCRIPTION

As you face an infinite number of ways to capture a dramatic scene on camera, learn how to choose shots that add emotion, beauty, meaning, and economy to your camera work. Topics covered include:
 
Your DP: Tips to choosing and working with your cinematographer
 
Shot types: Choosing shot types, sizes, heights and angles, that infuse the narrative with a subjective interpretation of the story, and maximize emotional effect
 
Controlling information: Using the camera to dole out information wisely, to create emotional involvement, suspense, humor, and more
 
Lenses: Choosing the right lens for the right moment
 
Orientation in space: Working (and not working) with the 180 degree rule in simple dialogue scenes, complicated group scenes, and scenes in which the line changes or moves
 
Orientation in time: Learn how to control and play with time for dramatic effect
 
Framing: choosing strong and expressive compositions, and creating a 3-D experience on a 2-D screen.
 
Scene coverage: Plan economical scene coverage that emphasizes relationships, character, and good story-telling. Adopt creative and dynamic coverate for static dialogue scenes
 
The moving camera: From simple tilts and pans to dollies and jibs, learn how to fully exploit the moving camera. Find out why more elegant and complicated shots are often quicker and more economical. Learn how to plan camera moves that assist the story and don't call attention to themselves. Create footage that is seamless, cuttable, dramatically meaningful, and is easier and faster to execute.
 
The workshop includes talks, clips, demonstrations and exercises in shot planning.
Find out why production value comes from skill and not from machinery. Course assumes no prior experience with camera work.
 
BRING A CAMERA: If you have a camcorder, please bring it. For our purposes, a small, consumer-type camcorder is best. Camera must have an optical zoom. Bring tapes, and be sure your battery is fully charged. If you don't have a camcorder, a simple stills camera with an optical zoom will do.
 
COURSE IS BASED ON Hollywood Camera Works.
WORKSHOP PARTICIPANTS RECEIVE 40% OFF LIST PRICE!

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